Obligatory, Semester 2, ECTS: 12
WEEKEND HOUSE [PROSTHESIS 2]: SECTION, PROGRAM, INTERPRETATIVE MODEL
During the 2nd semester of architectural studies, we introduce and at the same time focus on three fundamental representational tools concerning composition, perception and interpretation in design: section, compilation of the design program, interpretative model making.
Through this process, the students commence to develop insight and skills on spatiality, and materiality by understanding architecture in terms of living patterns and habits.
We are interested in highlighting the importance of the relationship between human subjects and the objects they use: the way they find, remodel and reuse objects and spaces.
As a case study we use preferably (but not only) a small house, designed and inhabited by the architect/designer. After studying Le Corbusier’s Cabanon and Eileen Gray’s E1027, during the last years, focusing on modernity, we shifted our attention towards a different context by examining Alison and Peter Smithsons’ Upper Loan Pavilion built between1959-1962, the house Aris Konstantinidis built for his sister in Aegina island and the one he built in Anavissos (Attica), the vacation house in Amorgos designed by Iannis Xenakis, Lanara's residence by Nikos Valsamakis, the house in Kavouri by Takis Zenetos, the Nafplio Xenia Hotel by Yannis Triantafillidis, the Aspra Spitia (White Houses) complex in Boeotia by Constantinos Doxiadis and the vacation house in Kimolos island by Dimitris Fatouros. We consider these emblematic houses as built manifestos on seasonal living.
The students are asked to design a weekend house by the sea, presenting varied programs and spatial patterns based on seasonal changes and their effect on indoor/outdoor living.
The students are also asked to create a short video of outdoor activities at seaside summer houses in the area of Mount Pelion.
2017, KIMOLOS ISLAND
2016, ASPRA SPITIA, BOEOTIA
2013, AMORGOS ISLAND
2012, AEGINA ISLAND
2006, BERLIN (BERLIN, POTSDAM, DESSAU)
Alison + Peter Smithson,The Charged Void – Architecture, The Monacelli Press, 2001
Claude Lichtenstein, As found: the discovery of the ordinary, Springer, 2001.
David Gartman, From autos to architecture: Fordism and architectural aesthetics in the twentieth century, Princeton Architectural Press, 2009.
Frampton, Kenneth,Modern Architecture: A Critical History, Thames and Hudson, London, 1992
Panayiotis Tournikiotis,The Historiography of Modern Architecture, MIT Press, Cambridge Massachusetts, 1999
Wigley Mark, White Walls, Designer Dresses: The Fashioning of Modern Architecture, MIT Press, Cambridge Massachusetts, 1996
Koolhaas Rem,Content, Taschen, Koln, 2004