This diploma thesis, is an attempt to highlight and document, in terms of architecture and history, the post-Byzantine monument of the “Metochion” (monastic dependency; glebe) of Agia Anastasia “Pharmakolytria” in Epanomi, Thessaloniki. 

 The glebe consists of a fortified complex, dating back to 1530 AD, whose location and monastic organization are justified by the intense pirate activity of the era during which it was constructed. These elements have left a strong architectural imprint on the structure of the monument, which is considered the oldest and best-preserved monastic dependency in Northern Greece, as well as the only surviving section of the medieval settlement of Kritziana. 

 Following a failed initiative in 1965 to construct a new church, partial demolition of the chapel’s foundations and the last floor of the tower-house occurred. Various restoration works have been carried out sporadically from 1976 up until 2015. However, a comprehensive reconstruction and rehabilitation study of the complex remains pending—a "healing." 

 Thus, the goal is to formulate a proposal for the monument’s restoration and reintegration, giving it new life both architecturally and functionally. With the symbolic starting point being the figure of Agia Anastasia Pharmakolytria, as depicted in Christian faith, this space aspires to function as a new hub for cultural and social revival, healing, and purification. The aim, therefore, is to transform the *Metochion* into an open-air venue, capable of hosting a wide range of cultural events such as theatrical performances and music concerts, which will integrate and highlight the contemporary cultural developments of the broader region.

Supervisor: Vyzoviti Sophia

Reference Number: 1179

 This thesis presents the project Co:neXion, a digital application that employs contemporary technology and augmented reality to create virtual environments directly connected to real space. A methodology of merging physical and digital space is developed, through which the environment is gamified by leveraging cultural data. The aim is to propose a new form of reuse for existing locations, where the aesthetics of the game are combined with the architecture and historical significance of each site. The methodology is demonstrated through the development of a demo with the city of Rhodes as a case study. Through narrative and the use of allegories, the game acquires an educational dimension, encouraging users to seek factual information while also enhancing interest in places of historical value. The thesis aims to show how digital representation and imagination can strengthen the user’s connection with the past and suggest a new way of interacting with space.

Supervisor: Bourdakis Vassilis

Reference Number: 1181

 The questions of the possibility of coexistence for the different social subjects of the city and the direction in which the planning of Greek cities is heading, were the starting point of this thesis. Since the beginning of political thought and the creation of human societies, the question of the harmonious coexistence of different social groups has been fundamental in the evolution of the space designed by man. From Aristotle to Henri Lefebvre, the production of space has been a fundamental issue in the social contracts attached around the cohabitation of cities and urbanization processes in general. Having overcome economic, social and health crises, Greek cities today are called upon to redefine their planning and the way they redistribute their space to the various groups competing to reclaim it.

 On the occasion of the massive evacuation of ministerial buildings in the center of Athens, due to the relocation of nine ministries to a new government park, the proposal of preserving the building stock and reusing it to create a new hypothetical scenario of a public housing policy is being made. Breaking away from the constraints of the real estate market and the unchecked adaptive reuse of the Athenian urban stock into hotels and short-term leasing apartments, an assemblage of trademark Greek experiences translated into spaces as well as a proposal for cooperative living and commoning at the center of the Greek capital, were the driving factors of this thesis. Following this reflective framework, “Social Assemblage” is an attempt to capture the social and architectural happenings in Athens today. Through the proposed assemblage of tourists and permanent residents, spaces of ritual consumption and collective care, a commentary and a proposal for inhabiting and sightseeing in the Athenian center is formulated.

Supervisor: Mitroulias Giorgos

Reference Number: 1140

 The flood disaster that occurred in the areas of Karditsa and Palamas in the Thessalian Plain in September 2023 highlighted the need for sustainable solutions to address future risks. Climate change threatens the balance between the natural and built environment, raising concerns about the safety and productivity of the region. Such events impact residents, “demolish” material goods, traditions, dreams, and connections to a place, often leading to residential and spatial deadlocks.
 The spatial planning of human settlements must be re-evaluated to implement new, flexible, and holistic strategies. This includes relocating each household to a safer point within its own home. In this way, alternative social and economic models can be created, involving partial relocation without alienation. The idea of ‘supra tecto’ aims not to perpetuate a temporary condition but to integrate local practices, architectural and non-architectural approaches, traditions, and the needs of daily life into modern reality. The settlement of Palamas in the Karditsa region is used as a case study for applying similar solutions to the conditions of extreme climate change.
 The question remains: how can an "urgent" structure transform the situation quickly, effectively, and as painlessly and discreetly as possible for the individual? A proposed solution involves constructing a structure above the roof of each house. It is made of lightweight materials and can be easily assembled like a kit. This emergency structure is supported by scaffolding and has the capability to float in the event of a major flood.

Supervisors: Micocci Fabiano, Kosma Anthi

Reference Number: 1119

 Thingvelliris a national park located in the municipality of Bláskógabyggð, in southwestern Iceland, approximately 49 kilometers northeast of Reykjavík, the country's capital. The park spans an area of 24,000 hectares and stands out for its dramatic geological landscape. An astonishing feature of the area is the rift valley, formed by the separation of the North American and Eurasian tectonic plates, marking the crest of the Mid-Atlantic Ridge. What makes Thingvellir truly remarkable is the ongoing geological activity: as the tectonic plates gradually drift apart by a few centimeters each year, the landscape is continuously reshaped, giving rise to a dynamic and ever-evolving terrain. Beneath the apparent serenity of the site lies a landscape in constant motion, where new land is perpetually formed.

 This thesis explores the wild and untouched landscape of the Icelandic countryside, with a specific focus on Thingvellir National Park, and proposes the design of a temple accompanied by both indoor and outdoor seating areas. The aim is to create a sacred space that serves the spiritual needs of both local residents and visitors, while being sensitively integrated into the park’s natural environment. The design draws upon principles of contemporary Icelandic architecture, moving away from the more conventional and widespread traditional church typologies found across the country.

 The site’s strategic location and its unique morphological features played a key role in the decision to situate the temple and surrounding areas within this specific context.

 Providing easy access to pedestrians via the park’s main road, and for drivers from Parking Area P1, the project establishes a connection between these two circulation paths, creating a space of pause, reflection, and rest within the landscape.

 As part of the research process, it was important to investigate the evolution of temple typologies through time, to ensure that the proposed structure reflects the most representative and meaningful form for a contemporary sacred space.

 In all, this thesis aspires to highlight the cultural and natural significance of the Icelandic landscape, encouraging a deeper connection among the locals, the visitor and the place. It seeks to foster awareness among both residents and visitors about the value of architectural heritage, and to promote a thoughtful appreciation of the country’s cultural and religious identity.

Supervisor: Kanarelis Theoklis

Reference Number: 1190

 The work entitled “Symbiont: Proposal for the coexistence of a new generation of seniors” concerns the reuse of a former hospital on the seafront of Thessaloniki that has been abandoned for over ten years. The aim of the design is to understand the needs and practical problems faced by elderly people. Through their own wishes, a building is designed that includes, among others, uses such as housing, a café, engaging in manual activities and social interaction of people of different ages. It is also made open to the public, providing basic medical services and a physiotherapy and recovery area. The residents and users of the building have the opportunity to choose the amount of time they will spend in it while it serves the daily needs of individuals of younger age, providing freshly cooked food by its users or its staff. The idea for its design was to create a multi-space where parallel activities can take place and it will be open to both the elderly and the younger ones with the main operating principle of caring for and empowering local communities. This way, older people will remain active and will be offered a more dignified living while being motivated to participate in peer groups and meet new people by doing activities that interest them.

Supervisor: Gavrilou Evelyn

Reference Number: 1113

This diploma project originates from the need to expand the exhibition capacity of the Diachronic Museum of Larissa by 1,500 m², in order to showcase a significant number of
artifacts currently kept in storage due to lack of space.

 The proposal goes beyond a functional extension and instead introduces a broader architectural strategy: to transform the Mezourlo Grove — a peri-urban natural landscape at
the southern edge of Larissa — into a dynamic cultural landmark for the city.

 The project includes spaces for permanent and temporary exhibitions, an amphitheater, a multipurpose hall, a café, and open-air courtyards. These spaces are unified through two
metal canopies that follow the site’s natural topography and are carefully woven through the existing vegetation, aiming for minimal intervention in the natural landscape. The form,
materials, and integration of the structure reinforce visual and ecological continuity with the surrounding environment.

 Importantly, the design explores the coexistence of indoor and outdoor exhibition, activating both built and open-air environments and expanding the ways visitors interact with
cultural content.

 The canopies employ passive solar design principles, using thermoresponsive elements that adjust to climatic conditions and provide comfortable, shaded public areas.

 The proposal envisions a cohesive spatial system where architecture, nature, and culture coexist and interact, reimagining the museum as an open cultural landscape. At the same
time, it seeks to operate in synergy with the existing museum, complementing its function and enriching the overall visitor experience and cultural presence in the region.

Supervisor: Micocci Fabiano

Reference Number: 1139

 This thesis focuses on the adaptive reuse of an abandoned stone building located in the coastal area of Agria. The aim is to transform the structure into a vibrant and creative space dedicated to wool processing and traditional weaving. A key design intention is the preservation and enhancement of the existing stonework, in order to safeguard the historical identity of the building shell, while incorporating contemporary architectural elements that integrate harmoniously with the whole.

 The new space hosts a fully functional workshop where wool is washed, processed, and spun into yarn, which is then used to create woven textiles using traditional looms. The design allows for public engagement in the production process, emphasizing the educational and cultural aspects of the project.

 The central concept of the proposal is represented by a “red thread,” expressed through a red-colored metal walkway. This pathway runs through both the interior and exterior of the building, following the journey of the material and the visitor—from raw wool to finished textile. At the same time, it provides a narrative framework, offering historical references to the art of weaving and the use of the loom.

 The interior is organized into two main rooms: one dedicated to wool processing and the other to weaving. Additional auxiliary spaces include a WC and a staff room. A small retail area has also been designed within the building, accessible to all visitors. The proposal aims to create a cultural activity hub that strengthens the public’s connection to tradition and contributes to the revitalization of the local community of Agria.

Supervisor: Kanarelis Theoklis

Reference Number: 1128