The comprehensive understanding of narrative space necessitates the delineation of three axes that are integrally connected to it: the relationship between the subject and space, the subject's relationship with the narrative –in regards to both the subject being the creator and the receiver – and ultimately, the relationship between physical and narrative space. This research endeavor aims to scrutinize these interrelationships, aspiring to illuminate the unconscious mechanisms responsible for the fulfillment and reception of space, both narrative and otherwise. The initial step in this inquiry involves the selection of three narrative examples that share foundational similarities. This methodological approach ensures that the findings from each analysis remain comparable, while the inherent differences among the examples foster a fertile ground for furtherexploration.To enhance the validity of the analyses, a thorough conversation was conducted with two of the the authors, whose work is being analyzed. Such engagement not only supported the analytical process but also facilitated the comprehensive organization of the research framework. In the latter half of the study, a conceptual model is introduced to systematically address the three principal axes, re-structuring them into coherent steps. The ontological foundation of this research is anchored in Heidegger's theory concerning the relationship between the subject and space. Further, the study incorporates a range of bibliographical references, spanning from ancient Greek philosophers and rhetoricians to contemporary sociological theories, to elucidate aspects related to sensory perception, memory and its inscription, narrative itself. Heidegger's ontological insights are revisited in the context of narrative space and the receiving subject, reaffirming their fundamental significance. In its entirety, the research is meticulously structured to culminate in a return to its point of departure: the examination of the relationship between space and subject through the lens of narrative.