The relationship between space and sound has fascinated and puzzled man since antiquity. Sound, whether as music, noise, or speech, played a particularly important role in ancient theatre. Many were those who tried to understand and study sound phenomena in depth and apply them to architectural design. The phenomenon of sound in oral societies, i.e. before the creation of writing, played an important role in people's lives and everyday life, while the sense of hearing was dominant in their consciousness. This changed later, ancient Greek architecture evolved according to visual 'hegemony', replacing sound-centred communication with a set of clear, visual symbols. Since then, in Western culture from the Middle Ages to the industrial revolution, sound has emerged differently depending on the geometry of the architectural shell and the structure of the city in general at the time. The relationship between space and sound would change decisively with the creation of the Wallace Sabine physical equation and thus the autonomous discipline of architectural acoustics would emerge, which altered and permeated the role of the architect with the above traditional relationship. Later in the mid-twentieth century, the study of architectural space through experience came to the fore, a method that opposed the visual hegemony of architectural theory and practice and was influenced by the discipline of acoustic ecology, where sound and its various characteristics contribute to the formation of the concept of the soundscape. The phenomenological approach to architectural space has, and still does, arouse the interest of theorists and architects by highlighting the soundscape as an integral element in the study of architectural place, particularly within urban boundaries. Thus, the space-sound dichotomy is redefined through the study of the sound environment which, with the appropriate management and the use of various tools and technological means, can contribute to the evolution of architectural creation.