Over time, the society of Syros island moves away from the remaining architectural works of its multicultural heritage, sometimes ignoring their artistic value and sometimes their urgency for preservation, as they have endured great change over time, without the slightest care. This phenomenon is more pronounced in suburban projects, as they do not need immediate care, in contrast to those in the city, whose neglect can lead to damage to the urban fabric in case of collapse. Thus, this research aims to highlight the importance of these projects through their social and architectural analysis. More specifically, it presents the out-of-town private architectural works of Syros, in the period 1822-1922, with the aim of highlighting an aesthetic different from that of town of Ermoupolis, for which the island is commonly known. The architecture that was developed in the countryside of Syros, while it concerns an equally special case, has not received the proper attention. As a native Syrian, growing up in the suburbs, I had the opportunity from a young age to get in touch with some of these buildings to pique my interest, as some are now used for public services and events, while many of them have been restored by private individuals. Most of those who chose to live in them today, were interested not only by their form but also by the elements that were the reason why they were built by their original owners. These elements are related with the continuation of a tradition, that one of the wealthy refugees of Chios island, which in combination with the Europeanization of the island involved into a local culture.