SADAS - Panhellenic Association of Architects and the University Studio Press publishing house invite you to the presentation of the book "Smyrni (1870-1922). City and Architecture. The contribution of the Greeks" by the emeritus professor of Dept. ARCH UTH Vassilis Kolonas on Wednesday 3/27/2024 at 18:30 at Magnesia's department of Technical Chamber of Greece, Volos.
Blended Intensive Program (BIP)
Bauhaus Dessau Archiscape
Dessau 25 May -31 May 2024
Dept. of Architecture University of Thessaly, Αnhalt University of Applied Sciences (Dessau), Εcole Nationale Supérieure d'Architecture de Nantes (Nantes) and the University Luigi Vanvitelli (Napoli) co-organize a Blended Intensive Program (BIP) within the Erasmus + Framework. The program will take place physically in Dessau from 25 May to 31 May 2024 and virtually before and after these dates.
The program will connect with the concept of Organic Architecture & Design in order to develop new perspectives of interdisciplinary conceptual learning.
Through crisis, experience and scientific exploration we have learned that we need to maintain an organic relationship with nature if we want to cultivate a sustainable and humane society, a liveable environment and healthy cities. The BIP will offer a platform for design collaboration and discourse to a group of 35 students who will be working in 5 international teams on new perspectives for organic architecture.
7-10 students of the Dept. of Architecture UTH can participate at the BIP. This is the full program of the BIP.
For those interested in the program there will be a meeting at the Department’s open amphitheater Tuesday 26/3/2024, at 14.00 with prof. V. Trova and ass. Prof. F. Micocci
Blended Intensive Program (BIP)
The “Freie Universität Berlin”, an ideal city as groundscape
Berlin 25 April -4 May 2024
Dept. of Architecture University of Thessaly, Αnhalt University of Applied Sciences (Dessau), Εcole Nationale Supérieure d'Architecture de Nantes (Nantes) and the University Luigi Vanvitelli (Napoli) co organize a Blended Intensive Program (BIP) within the Erasmus + Framework. The program will take place physically in Berlin from 25 April to 4 May 2024 and virtually before and after these dates. Ten students of the Dept. of Architecture UTH can participate at the BIP. This is the full program of the BIP.
For those interested in the program there will be a meeting at the Department’s open amphitheater Tuesday 26/3/2024, at 14.00 with prof. V. Trova and ass. Prof. F. Micocci
In the framework of the Master Program Reuse of Buildings and Complexes at the Department of Architecture of the University of Thessaly, on Thursday 21/3 at 19:00 [UTC+3] on MS TEAMS will take place the first online lecture from Labics IT on the theme of Architettura Viva.
Coordination: Fabiano Micocci, UTH
MS Teams link
Meeting 3: Reuse for Urban Regeneration
Saturday 27/01/2024 at 10:00-13:00 [UTC+3]
Online
In the framework of the course Contemporary Architecture in Old Buildings and Historic Complexes, part of the Post-graduate Master of Reuse of Building and Complexes, on Saturday 27/01/2024 at 10:00-13:00 [UTC+3] will be organized the online conference “Reuse for Urban Regeneration”.
Program
10:00-10:15 Beginning of the conference
Session1: Reusing the Industrial Landscape
10:15-10:45 Κώστας Αδαμάκης, ΠΘ - “Τα βιομηχανικά κτίρια του Βόλου”
10:45-11:15 Ασπασία Κουζούπη, ΠΘ - “Επανάχρηση προκατασκευασμένων δομών και παράπλευρων προϊόντων του εργοταξίου, ως διαδικασία σύνδεσης με το Τοπίο”
11:15-11:30 Questions
11:30-11:45 Break
Session 2: Reuse for Urban Regeneration
11:45-12:15 Νίκος Μπελαβίλας, ΕΜΠ - “Το πείραμα της αναγέννησης του Λαυρίου μετά την κρίση της αποβιομηχάνισης (1990-2024)”
12:15-12:45 Nadia Bertolino, UniPV - “Radical adaptation: community-led practices of spatial reuse”
12:45-13:00 Questions and conclusions with students
Coordination: Micocci Fabiano, UTH
farasi.zine
issue 01 / Winter 2024
Guest editor and Design: Stamatis Schizakis
Along with Nikos Arvanitis’ work A Thousand Sounds from Mount Ida
The first, last and everlasting Psiloritis Biennale is an ideal artistic event with real works, known though through improvised catalogues, since no one can attend an exhibition on the inaccessible mountain top, even if there would be an invitation. Like a concert that nobody attended, but became known through recordings, the works that are placed or materialized on the trails and on the mountaintop are being recorded for the purpose of being presented by a publication that, at least in the beginning, circulates from hand to hand.
The most recent project implemented in the context of the Biennale is Nikos Arvanitis'A Thousand Sounds from Mount Ida, and it involves a cassette that, with its two sides and its case, constitutes a threefold treatment of the natural landscape and its technical mediation. The choice of the cassette as a recording medium is made with the aim of referring back to technologies of itinerant recording and listening, while inevitably referring to practices of music sharing/distribution through open, amateur and pirate models of music and artistic content distribution.
Through the hybrid fanzine Farasi, the First, last and everlasting Biennale of Psiloritis distributes a work freely for reproduction and listening. You download both sides of the cassette from the corresponding QR codes and copy them onto a sixty-minute cassette (if you can find one). You cut out half the issue and fold it to make the cover. Have a good listening.
#01_φαράσιfarasi_01 (2024) UTH for reading
#01_φαράσιfarasi_01 (2024) UTH for printing
Nikos Arvanitis (Athens, 1979) studied at the Academy of Fine Arts, Vienna, A and at the MFA course "Public Art and new artistic Strategies" at the Bauhaus University of Weimar, DE with scholarships from the DAAD (German Academic Exchange Service) and the A. S. Onassis Public Benefit Foundation. He was awarded the first prize on the "ZeitGenosse Schiller" competition for public art, Weimar, DE, 2005, was nominated for the "5th DESTE Prize" of the DESTE Foundation, Athens, GR, 2007, and has received the 2nd Prize of the Spyropoulos Foundation Award, Athens, 2009. In 2014 he was Artist in Residence at Kunstlerhaus Saltzamt, Linz, Austria. Arvanitis co-founded the artist-duo Barking Dogs United with Naomi Tereza Salmon in 2005. Since 2018 he has been working as a tenured Assistant Professor at the Department of Fine Arts of the Athens School of Fine Arts. www.nikosarvanitis.info
Stamatis Schizakis (Heraklion, 1980) works since 2005 as an art historian and curator at the National Museum of Contemporary Art Athens.
Lecture by Giorgos Koropoulis
Title: Translating Dante’s Divina Commedia
Thursday 25 January 2024 18:00
Bookstore Charta
Lecture within the framework of the modules:
Space and Poetics, Department of Architecture
Professor Phoebe Giannisi
Specific Topics in Performance Studies
Department of Culture and Creative Media and Industries
Assistant Professor: Marios Chatziprokopiou
and The Laboratory of History, Theory and Conceptual Design for Architecture, the City and the Environment of the Department of Architecture.
The author, translator, and radio producer Giorgos Koropoulis will meet students at Bookstore Charta in the city of Volos. On the occasion of the recent publication of the translation of Purgatory (Sestina: Athens 2023), as well as the radio series dedicated to Dante on theThird Public Radio Programme in Greece, Koropoulis will discuss issues related to space, trajectory, performance poetry, and the process of translation.
Biography
GIORGOS KOROPOULIS was born in Athens in 1960. He studied Dentistry and specialized in not practicing it. Since 1980 he has been working as a proofreader and a copy editor. He published articles (sometimes systematically, sometimes not) in newspapers and magazines. At times, he also worked as a radio producer, and wrote texts for documentaries and movies. He translated (among others) Akhmatova, Cavalcanti, Catullus, Laforgue, Brecht, Pasternak, Rilke, Tsvetayeva. He translates Dante's Divine Comedy –with some difficulties- using the terza rima and the hendecasyllabic verse. His poems have been translated into all languages, but he does not give permission for the translations to be published, while he shamelessly conceals the countless honours he received all over the world.