Student Competition
D (E) I L U C I O N E S U R B A N A S
mutaciones e hibridaciones en el territorio
Organized: Universidad Nacional del Litoral/ RedSur
Download Call
Download Application Form
For further information and applications please contact Professor Spiros Papadopoulos.
International Design Workshop
D (E) I L U C I O N E S U R B A N A S
mutaciones e hibridaciones en el territorio
For further information and applications please contact Professor Spiros Papadopoulos.
Pelion architecture workshop will be concerned in strategies of everyday life that deviate or undermine the dominant patterns of production and consumption of that material space, equipment and every day leaving. The practices that the will be developed through workshop’s duration, will seek determinations of felicity through a seeing again and a reliving of outdoor, summer residence, in order toproduce a survival kit-toolbox of building conditions for a blissful survival in South Pelion.
TIME/ PLACE
Monday 4 August – Sunday 10 August 2014
St.Nicholas Paou Monastery, Argalasti, Pelion
PARTICIPANTS
Pelion architecture workshop, is aimed at students of schools of architecture (3rd-5th year), graduate students and young architects.
The participants, 13 in number, will be selected based CV / portfolio.
STAYING & COST
Pelion architecture workshopwill be held at the premises of the St.Nicholas Paou monastery Pelion (map), where participants will be accommodated. Toparticipation fee (195 €) includes tuition fees and accommodation.
APPLICATION
SendInquiries (short bio, 150 words and a sample of work, in a two A4 pages/ Pdf) at felicity.paworkshop@ gmail.com by July 20, 2014.
ORGANISATION
RESEARCH CENTER ON HISTORY, THEORY AND SEMANTIC DESIGN
CURATING
Zissis Kotionis, Professor
Alexandros Psychcoulis , Associate Professor
ASSOCIATE
Nikolaos Platsas, Architect
ASSISTANTS
Antonis Porias, Architect
Anna Vasof, Architect/Media Artist
Konstantinos Zves, Architect
CONTRIBUTORS
Ermis Chalvatzis, Zaha Hadid Architects
Phoebe Giannisi, Associate Professor
Garifallia Katsavounidou, PhD
Ioanna Laliotou, Assistant Professor
Natassa Lianou, Zaha Hadid Architects
Eleni Psihouli, Columnist
Exhibition "THE MECHANISM OF THE DREAM"
27/6-3/7/2014
Achilion (Iassonos & Koumoundourou Volos.
Visiting hours: 18:30 – 21:30
Opening: Friday 20:30
12th International Documentation and Design Workshop
Ser-re(s)modern 2014, URBAN LANDSCAPE/ Design and Architecture
HELLAS, BULGARIA, SERBIA, EGYPT, TURKEY.
Urban Landscape Studies at the east edge of the city of Serres at the valley of Ag. Anargiroi
The 12th Documentation and Design Workshop will focus upon the environmental design and architecture of urban landscapes. Hosted by the municipality of Serresthe projects will investigate the city’s valley as an urban ecosystem, highlighting cultural and natural characteristics of the location. All groups will be accommodated at the facilities of the Chrysopigi Summer Camp, at the peak of the Menikion Mountain close by the city of Serres. Participants will be students (4th and 5th year of studies and post-graduates) and teaching stuff of the Universities of Cairo Egypt, Sofia Bulgaria, Volos Hellas(U.Th), Istanbul Turkey(I.T.U.) and Belgrade Serbia (University of Bergrade).
Locations of study at the east edge along the valley of Agioi Anargiroi include:
1. The surrounding area of the Mehmet Bey Mosqueincluding the fountain and the bilateral towpath of the stream.
2. The abandoned industry buildingof NASIOUTZIK and the attached bilateral towpath of the stream.
3. The natural sitealong the formation of Agioi Anargiroi valley as long as the embankment of the stream.
4. The embankmentsof the stream as a boundary between two residential areas.
Organization
University of Thessaly | Serres Union of Architects | Municipality of Serres
Professors in charge
Iordanis Stilidis, Architect, Assistand Professor, U.Th stilidis2@gmail.com
Sophia Vyzoviti, Dr. Architect, Assistand Professor, U.Th vyzoviti.sophia@gmail.com
Participation fee is 130 € including full board accomodation and transportation to the site, design and model materials, a bi-lingual publication with the workshop results and a one-day excursion to the area of the lake Kerkini.
The modern viewer is familiar with the cinematic paradigm, in which he or she is fixed in a darkened auditorium. In this case, the projected image acts as a viewing window into the picture space. However, the current audio-visual technologies introduce new viewing modes. This thesis traces the spatial evolution of the projection system (projector, picture, screen surface, projection beam), during the transition from analogue to digital technology, in inter-war experimental film, 1960s expanded cinema, video art and current multimedia installations. The work of the Australian-born new media artist and researcher Jeffrey Shaw is used as a case-study. Shaw emerged from the performance, expanded cinema and installation paradigms of the 1960s, currently being a leading figure in new media art.
Scientific Organization: Renée Koch-Piettre (EPHE, ANHIMA), Odile Journet-Diallo (EPHE, IMAF), Phoebe Giannisi (UTH)
Workshop Organization: Phoebe Giannisi, associate professor, Department of Architecture University of Thessaly
in collaboration with: Vasiliki-Maria Plavou, Chara Stergiou
Suppored by: Labex HASTEC (Laboratoire européen d’histoire et d’anthropologie des savoirs, des techniques et des croyances), UMR ANHIMA : Anthropologie et Histoire des Mondes antiques, IMAF : Institut des Mondes Africains), Department of Architecture, University of Thessaly (Volos, Greece).
Recent years have seen the development work on the "places of memory" in an essentially museum or conservatory perspective. The historians of religions, ethnologists, linguists, on the other hand, take into account the long time, even when the work focus, as seen today, transitions, passages, mutations rather than permanence. They have to deal with the accumulation, strata and inheritance. This aspect is particularly clear when we examine the intimate relation between a territory and a human organization which discovers into territory supernatural entities and deciphers it into its elementary signs before it print it with its own inscriptions and receive from it reading of signs of its own destiny. The surface of the earth, as a palimpsest, keeps track underneath the new writing of territory, of its older versions. A symbolic elaboration of the territory, alive, cumulative and continuous, not without crises and changes of rhythm, seems also crucial in shaping the individual than in structuring the society. The size, irreversibility and potential entropic of the changes that economic and political developments of the last two centuries have brought into the human cultures appear clearly if we manage to uncover the repressed versions of links that societies have into the time and space weaved with the places where they dwell, — these early "texts" (in the etymological sense of the word) that we find filed, deeply buried in the memory, often forgotten, in the trips, the gestures and body as well as in the language and representations.