From the prehistoric age, one of the needs of the human species was to give a visual form on the ideas and concepts, to strokeknowledge in graphic form, and lend order, cleanliness and clarity in the information. In the era which we live today, we can talk about the real henceforth planetary dimension and flow of information. In a society of arts where ‘Is’ becomes as ‘View’, the sight is subsidized as sense of degraded reality.

As integral piece of this society, the architecture is evolved with the means of social mediation viewing while simultaneously it is influenced by them. The relation between architecture and social fabric in the level of communication, comes in a place of dependence on the average of produce and supports.

Thus the architectural result, through a synthetic process, is translated as information that operates in turn,as a system of expression and service of social total, subject being in coded conventions. Becoming perceptible, that the architect - composer of structure information and structure communication must include a new designing provision of information, and is invited again to compose the next step of communication.

Consequently is created a need for a wider comprehension of methodology and rules that will be supposed it follows, in an attempt of communication with the increasinglytechnologically evolving and more exigent society.

In this reflection, this research work focuses on investigating of the followed rules that is observed at the synthetic creation of surfacein process of communication at the graphic design, and an extensive registration of the technical implementation.