Watching the enchanting landscape of Vravrona, I tried to carve my own "lines" on it, always respecting the rich history and beauty.
In the area, there is a path which has been formed gradually over the years. Following this path, I began to notice the particular features of the landscape.
The orientation and the maintenance of a route were not always easy. As in any tour, it was necessary to find reference points for smooth browsing.
The continuous offering and hiding of optical information, the repeated alternations of the visual escape, the continuous capture of emotions and the intense subsequent changes of land and sea, led me to the area’s separation into sections. In combination with the area’s morphology of each section, the thematic units that occurred were:
· Relaxation
· Escape
· Contemplation
The basis for this distinction, beyond the actual morphology of the landscape, was the existence of strong dipoles; the dramatic changes of land-sea, perspective and various other activities.
The paths of the course came out of the paths of ships in the area. Through a process of removing, marking, adding, and reduced duplication, orbits were placed onto topographic, wherever necessary.
Turning it into the real dimension, the tracings were acquired material existence, with each line or formation representing one of the following material: gravel, pebble, cobble, stone, wood, metal, concrete.
In order to obtain the course more interesting and attract visitors, there were placed seats, sunshades and lights, which offer the possibility of staying the whole day in the area.
