In this inquiry is examined the relation between the look of the owner of the kiosk and Bentham's book "Panoptikon" and of the "electronic look" and cameras' observation. 

The research follows up the pass from a human's sight of observing and recording the residents' habits in the neighborhood, into the impersonal and everywhere present look of "Big Brother" and in the ceaseless observation (with the cover of safety) of the cyber-fascistmodel of monitoring in the modern metropolis.

During this project were performed two experiments. 

The first one considers the advantages of the nodal positions that kiosks possess in the urban web for the observation of daily life, while the second attempts a simulation of the same situation in the neighborhoods of cyberspace where the significances "private" and "public" lose their precise limits and are redefined.