The present thesis forms a «concept of movement» based on the experiential and empiric recording of movement itself. Starting line of our thought (which in fact derives from our research on the movement of body and choreography) is an example of wood frame [xylotypos], that we record as an elementary form of mould. Moreover, on the basis of different each time material, we experiment on mould, as a means of recording altered relations. Furthermore, we receive, as a case of stereotype – mould, the movement itself in the empiric space of our own residence. We process the results as a material that leads to the manufacture of new forms and relations of movement in space. The final architectural example, constructed through the preceded theoretical and experimental procedure, imprints the flow of movement in space and time.