The Transfigurations are the most representative work of the Roman poet Ovid (March 20, 43 BC 17) who lived in the century of Augustus. The Transfigurations is an epic poem with 12,000 verses that includes 250 myths, the subject matter of which is mainly drawn from ancient Greek and Roman mythology. This material is structured in a chronographic series tied with artificial ties, starting from the beginning of the world and ending in the apotheosis of Julius Caesar. In essence, the poet records with narrative continuity, morphological range and thematic unity, having as main axis the transformation. In this work, therefore, both Greek and Roman myths always result in a metamorphosis. The great thing about this complex writing structure is that the poet is not content with a description of the myths but makes a deep psychological analysis of his characters and a thorough description of their feelings. Many imitated Ovid's poetry in Late Antiquity and the Middle Ages and greatly influenced Western art and literature. He was the last of the great Augustine poets to live in the early pax Roman. This work was translated into many languages during the Middle Ages and the Renaissance and, as mentioned above, had a profound influence on the visual arts as well as in the field of theater and music. In modern times, the work under study takes on a new dimension through the prism of psychoanalysis and anthropology because it is associated with basic elements of the psyche such as dream, illusion and delusion. The present study aims to investigate the effect of the Ovid Transformations on art in psychology but also on today's architecture, in the light of the concept of transformation.
