The main incentive for this paper was the acceptance of the mask as a predicted passage on the body. "Transfiguration", Olivier de Sagazan's performance was the reason behind exploration that would later be focused on the masked disguise.

The main intention was to feature the multifaceted character of mask. For this reason, from the experiential experience were sought connection and justification relationships in the closest related species. The research found objects, myths, forms, kinesiologies etc. in various tribes of Africa. Imitation, creation and decay were concepts that came into the inceptive performance thataway the mask sampling was headed for similar topics.

 Animal representation mask, consumable masks and ‘other’ sex representation masks, were the new excavation sites.

The mask as a plastic artistic object and the ritual as an explanatory mechanism would provide a closer look at the incarnations’ examples. The assignment was realized in order to approach the broader transformational field with unifying assets the identity exploration, exposure, boundaries and roles.