Since 1988 Meteora are considered a World Heritage Site of UNESCO. Both geologically and culturally Meteora is a space of a great interest. Although, some parts of them remain unknown to most of the people. For example, an unknown part is the Construction techniques and other details of the primary religious structures that were developed by the eremits when they first came to Meteora. Therefore, the first part of this Thesis is the analysis of the structure principles and the ambiance that they create. The second and last part, is the proposal for the creation of a carved Lab and a wooden structure inside the cave of Drakospilia. At the Lab, lessons of Calligraphy are provided to visitors who seek for an unusual experience in Meteora. The site is historically connected to Calligraphy, given that opposite Drakospilia was the Monastery of Calligraphy where the monks were writing various texts using the technique of Calligraphy. Also, in the Lab there is the digitization space for the old texts and books and another space where these texts are being collected. Digitized texts can be perused by researchers and can be translated in different languages. So the Lab is inviting all those translators-researchers who would like to deal with these ancient texts and gain an authentic experience of the place. Above the carved Lab there is the wooden structure. This is a three-storey building that functions as the accommodation for the researchers. The idea is that as long as they offer their work, they are given a very special form of accommodation inside the cave. Both the wooden structure and the carved Lab follow some of the ancient principles that I have detected in Meteora. The new spaces do not host a religious program but are perfectly connected to the ambiance of Meteora and its fundamental concepts.