The present research is about the –exclusively human- phenomenon of laughter and its functional importance to the society. Using cinematographic comedy as our main tool, we try to explore the dipoles of order and disorder, homogeneity and eccentricity as they appear in society and afterwards as they are being criticized by comedy. We focus on the comical effect that has to do with the collapse of space and through this we analyze the importance of rules that society imposes and also the importance of breaking these rules. By identifying the characteristics of the comedian in opposition with the orderly citizen of big cities we intend to nominate the importance of disorder, lack of inflexible rules, nonsense and also the importance of deconstruction of space, the way we find it in cinematographic comedy. At the end of this course, we put a question whether a potential comic society can exist and endure, a society that can handle the lack of program and inflexible rules, in which a person is free to make mistakes and nominate its uniqueness.