The transit from the study of an object form to the process, through which a form produced, expands the potentials of architectural form production. The study of object in terms of their final form leads us to static and predictable results. The process depicts a developing transformation from abstraction to material or virtual representation. We do not have the production of a specific result, but a field of virtual forms through a designing process.

 The different concept of notions that are mentioned in the text of this research assignment deals with the contemporary processes of architectural design and the changes within the framework of which forms are produced.

 The concept of time, as a constant flow, evokes the view that any space is active. Space is ruled by multiple forces which act and cause transformations to the object that exist in it. In addition to this, the transformation results both from the interaction of the forces and relationships that are developed within the form structure.

 The forms alter and differentiate according to the interactions of the forces. This process is constant and repetitive. It is a process of repetition which incorporates the difference. Through this evolutionary process, a series of virtual forms, that might appear is implied. The forms which arise are not predictable in advance.

 The forms are shaped through the interactions and the relationships that are developed in their structure. However, the forms in an active field of forces, interact with their environment as well – through these interactions, a behavior is formed, which later on, influences both the environment and the adjacent forms.

 The interactions and the relationships that shape a form can be defined as rules of form shaping. The rules, according to which a form is shaped, can be described with an algorithm. By changing the algorithm, the form is changing. The algorithm can be evolutionary, that is, it can occur in a total of possible results.

 The prototypes used in the process of the design of an architectural project are not objects to copy or imitate their forms. The prototypes are studied in terms of the rules of their form shaping. These rules alter and differentiate within the process with the result of different forms to arise from the same prototype. These forms are not reducible to the initial prototype.

 Forms are systems that consist of multiple parts which are connected with one another and operate as a whole. The system does not remain stable and static. It is dynamic, which means it is constantly altered and transformed as time goes by. Contemporary processes incorporate complicate systems with complex forms. These systems are described with the concept of multiplicity. Multiplicity is an assembly of heterogeneous elements which are organized and operate as a whole. The secondary aspects interact with one another and develop multiple relationships.

 A system does not describe a specific form, but a total of virtual forms that can receive the same program. Typology is not a type of building classification according to their functions. It consists of organizational principles which we can multiply and modify during the design process. New and different forms are produced through the variation of the organizational principles.

 The relationships and interactions of form elements can be represented with a diagram. The diagram incorporates a total of potentials and virtual transformations of relationships and forces that develop among the secondary elements. It is a dynamic and productive tool of “virtual”. The diagram is an abstract representation of all the virtual forms which are likely to appear. It includes all the possible changes and transformations that a form undergoes. With the use of alternative geometry, such as topology, it is possible to describe complex forms and their transformations in space and time.