The issue that is being studied in this research titled “Mechanical Euphoria” deals with how the machine and generally the evolution of technology affects the design of the house and the style of the dwelling. The aim of this study is to show the relation between the concept of the machine and the lifestyle-dwelling from the 20th century until today, through studying indicative houses, theoretical dwelling suggestions along with a film. At the beginning of the 20th century, Le Corbusier spoke about the House- Machine, in a period when machine had already started to conquer the world. This relation has existed until know with changes according to the evolution of society and technology. The method that continues to approach the issue is divided into three parts and two periods, Fordism and Post-Fordism, with turning point the evolution of the production process. The first part deals with the period of Fordism, in which the terms of standardization, automation and functionality dominate.Representative of this period is the car, the symbol of the machine age. It is the period that defined the evolution of the modern house and the theory of Le Corbusier about the House-Machine that he applied on Villa Savoye. In the second part, the Post-Fordism society is presented that consolidates according to the consumption patterns. That period created the for the “new” house that would be in line with the “new” man and it would display the art of living thanks to the mechanisms that surrounded his life. The ideal dwelling in post Fordism is shown by Jacques Tati’s film, «Μon Oncle» and from the Reyner Banham’s theoretical suggestion, Environment Bubble. In the third part, two modern houses are presented: Maison à Bordeaux from Rem Koolhaas and The Phantom Eco-house from Diller Scofidio+Renfro which have references and influences of the previous examples. The diagrammatic illustrations show the connections between the house-machine idea’s evolution that brings “euphoria” to the residents.