This research presents a new approach to a monument of Thessaloniki, called Las Incantadas. This monument, has been one of the most impressive and beloved monuments in the city. It is a colonnade built during the Roman period that was destroyed, moved to Paris in 1864 by Emmanuel Miller, and has since remained one of the city's legends. The ancient colonnade and its sculptures attracted the interest of many European travelers who referred to it through various descriptions, drawings and myths. Starting with the psychoanalytic theory and with the help of the various references to the monument, a different reading of it will be attempted.

The working method used in this research results in a more creative way of studying history. The approach to history is made using the "L Schema ", a psychoanalytic diagram and the theory of "part-object", as analytical tools. The L schema is one of the several diagrams Lacan used to depict the evolution of a person as a subject through his relationship to his part objects, which are objects that he collects or associates with specific memories, bodies and events. It turns out, that L Schema is a spatial and temporal figure while its part objects are formed over time within its three-dimensional representation. In the same way, Las Incantadas can be read as a spatial figure of social interactions. The purpose of this research is not to draw any definite conclusion or to form a single definitive story. Instead, it aims to study the way the monument talks to people's unconscious and to create a set of possible and "part" stories.