Walking in terms of wandering in the urban area, from the 19th century to the present, the chronic period in which this research is limited, has gained the creative attention of both writers and artists. The Walking practice is used, enriched and transformed into practice of urban wandering from Charles Baudelaire and later from Walter Benjamin through the wandering figure of the flâneur and his practice of wandering which is called flânerie. Subsequently, the avant-garde artistic movements will try to bring new content to the figure of flâneur and it’s strolling into the big city. However, wandering as a means of exploring and experiencing the urban public space remained a privilege of the male gender until the middle of the 20th century. Even when women gradually started to acquire the right to education, employment and voting, their presence in public spaces was still limited. Nevertheless, women gradually started appearing in public spaces and wandering, leading to the appearance of flâneuse. This paper examines the history of the people called flâneur and flâneuse, which is not identical, and analyzes their differences, with the main being the use of public space. However, the presence in the public spaceis constantly changing, while the passage from the age of the image to the age of the digital revolution has led to the formation of a new multi-parameter environment in which the modern drifter experiences his transition in multiple levels. In addition, during his time strolling, the wanderer is confronted with the cultural, social, political and historical background in which the wandering takes place. Matters of security and informal prohibition lead to the conclusion that wandering, even in the 21st century is sex-oriented and is restricted from place to place. What could be the significance of all these aspects in architecture and design, which until recently constituted a man's privilege? In an attempt to respond to this question, this work is about to re-examine the possibilities of wandering in the urban environment, only this time through a female figure. The diachronic figure of the flâneur, who is reincarnated in the so-called flâneuse, is used as a basis. Last but not least, trying to give my personal point of view to the topic of female wandering, I wandered myself, while photographing anything that would attract my attention and afterwards compared my pictures with works of other flâneuse, in order to understand how the public space can be a source of inspiration.