The term Landscape is subject to many interpretations, it can be changeable, but also it can stand unchangeable, it can tell many different stories, but sometimes it stays silent and incredibly imposing. Maybe the concept of time which is reflected on the landscape, is more interesting. In these quests, on which the person has the main role, are going to be answered on this thesis. In this thesis, through the architectural intervention in Klima’s settlement archaeological site, I attend to give a re-interpretation on the concept of landscape. This archaeological site is no longer inaccessible. The ancient theater is going to be an attraction to the people, who desire not only to enjoy a pleasant walk with the view of the sea or to admire the architectural incorporation of the space in the land, but also to sprightfully participate in the process of re interpretation, as a part of the audience.
How does time operate as a link between the past and the present? Is time non linear or is an entirety which is incorporated in the present? The sensible linear time is depicted by the corrosion of the landscape and the buildings. The real non linear time is expressed by the architectural intervention, and it gives the opportunity to the person to be an effective part of space and to live the experience of space. This new architectural intervention appears as the means that joins the past with the present and the future.
The new functions are simple and they appear to be a part of nature. Their figure and their materials are trying to interact with the landscape. The new constructions are following the lining of land’s terrain. The buildings are two, the first is the greenroom which is related with the accommodation of the artists, and the second, the smaller one, is for serving the audience and generally the visitors. These new functions and their surrounding area are going to be accessible through a new system of stairs and ramps, which allow users’ safest circulation. The aim is the creation of a walking path, which is going to join the fragments of history in a united state of existence.